Blood Stain

In this sprightly comedy titled Blood Stain, chemistry major Elliot is suffering from unemployment for months on end, putting her sister’s family under stress while they provide free room and board. She finally decides to apply for a job as assistant to a secluded scientist, Dr. Stein, rumored to be a “complete creep.” That perhaps is an understatement, since we, the audience, catch glimpses of him on the other end of the phone line, his hands dripping with gore.

Laudably, artist/author Linda Sejic (aka sigeel) doesn’t hurry from point A to point B in the story.  Taking full advantage of webcomics infinite canvas / infinite possibilities format, she leans into Elliot’s job search prior to her accepting the job with the scientist. She even dramatizes Elliot’s personal growth from a too-brief stint as a barmaid.  It is only at the very end of the 19-episode Volume I, after a harrowing cross-country flight, leaving behind a confused sister and boyfriend who don’t know what’s become of her– that she comes face to face with Dr. Stein.

The extended, in-depth storytelling is one of the things that makes Blood Stain so entertaining. Sejic has a boundless talent for conjuring up outrageous complications to mundane situations.  She also has a knack for varied and playful facial expressions that milk the scenes of every last chuckle.  Her rendering style is quite good, and she is a superb colorist.  The story takes place “in the asscrack of the Mediterranean”, and for the Europhiles among us, Blood Stain is a first-rate travelogue of the locale.

Posted by joezabel in Reviews

The Isle of Elsi

In the Eisner Award-nominated series The Isle of Elsi, artist/writer Alec Longstreth displays an enormous talent for creating comics for young readers.  His style is simple, straightforward, and expressive.  When the situation calls for it, he crams an impressive amount of detail into the panels, which occasionally resemble a “Where’s Waldo” diagram. Longstreth’s style reminds me of the french master and creator of Tintin, Herge, though Longstreth doesn’t quite possess the same fitness (no one does!)

Starting out reading a Longstreth story, an adult reader is aware that these are children’s comics with simple plots and goofy humor.  But the narration is so straightforward and skillful that you find yourself being drawn in.  Longstreth is much more respectful of logic and reason than most so-called adult authors, and that quality really pays off when the plot is about a dragon destroying a town. The stories have a subtext of honoring education, learning, and books, and it gives us a warm feeling to see those values diseminated. The author also shows his compassion for the characters, whether it is a mother found weeping at her kitchen table, a family gathered around a doctor wrapping a girl’s broken arm, or two juvenile delinquents distraught at the harm they may have inflicted.

Longstreth has a good reason for publishing Isle of Elsi as a webcomics.  “When I was a kid, I used to ride my bike to the local drug store, where I could buy a wide variety of kids’ comics for seventy-five cents each.  These days, a kid’s comic book costs three or four bucks, if you can find one! And graphic novels for kids can cost ten, twenty, or even thirty dollars! A lot of kids can’t afford to buy these comics!  So I chose to make Isle of Elsi a free webcomic so that as many kids as possible can have access to it.”

We couldn’t agree more!

Posted by joezabel in Reviews

The Best Webcomics of 2022

10.

A Life Through Selfies— Arianna Arris’s depiction through selfies of a fashion model’s life is mysterious and addictive.

9.

Lemons— Paige Walsh’s enchanting four-episode fable about the title citrus fruit is rendered in pulsating color and dance-like grace.

8.

Giant Nerd Boyfriend— Everyone needs something silly and clever they can turn to for a chuckle. Artist/writer Fishball’s Ringo Award-nominated saga about a short Asian girl and her scruffy tall boyfriend fill the bill better than most.

7.

Vattu— Rousing action, muted color and terse dialog come together perfectly to depict a mind-bending odyssey of a nomadic race. Artist-writer Evan Dahm pursues the epic world-building with total commitment in this Ignatz Award-nominated series.

6.

Ten Earth Shattering Blows— A petite noblewoman and a brutal amazon escape together from a desert outpost in this sly-humored interplanetary saga by artist/writer Nuclearpasta. Read review.

5.

The Everyday Life of Letta Novak— Artist-writer Novak’s perfectly-composed art and eye-catching color is a big draw for this series of short comics, but the subtle writing raises it to another level.

4.

Fried Rice Comics–Erica Eng’s Eisner Award-winning autobiographical saga features gentle realistic depictions of family life in a Malaysian village.

3.

Blind Alley— Adam de Souza’s low key humor is reminiscent of Charles Schulz with a touch of Charles Adams in this Ignatz Award-nominated series.

2.

Everything is Fine— Mike Birchall’s subdued characters are imprisoned in animal masks and must pretend happiness in a dystopian society. Read review.

1.

Lore Olympus— Rachel Smythe’s vibrant colors and contemporary wit bring depth and immediacy to this Harvey and Eisner Award-winning rendition of the legend of Persephone and Hades. Read review.

Posted by joezabel

Everything is Fine

Horror comes in two varieties.  The typical horror mode has the characters in a normal, reassuring world, and gradually a foreign, menacing element is introduced that doesn’t belong in the normal world. Works as diverse as Frankenstein and Halloween operate in this mode.

Another variety of horror is less typical. In this vein, the normal, reassuring world itself becomes subverted; everything we value has disappeared, and qualities like love and friendship are no longer possible.  Think 1984, or Invasion of the Body Snatchers.

Mike Birchall’s Everything is Fine is horror of the world-subverting variety. The characters Maggie and Sammy live in an orderly but bland suburban house. She is a housewife, he has a white-collar job meaninglessly moving products from point to point. Their relationship with each other and their neighbors are utterly drab and monotonous, with a few troubling details. The family dog is dead; and they sprinkle poison in their garbage to deter a homeless man from eating it.

What’s most disquieting about the characters is their appearance.  Birchall at first keeps their heads out of frame to conceal them, but eventually gives the reader the first little shock by revealing that they have large oval heads that resemble the Hello Kitty character.  As the story goes on, we come to know that these heads are actually masks that end at the neck line; a door slides open in their mouths when they eat.  The heads are some kind of behavior control mechanism; a red light appears in one eye when a stressful situation occurs. For more serious offenses, the individual is “designated as red-status”— both eyes turn red, and horrible death occurs.

As the characters interact, the expressions on these masks never change from vapid, pleasant smiles. Birchall emphasizes this with frequent pauses in the conversations and closeups on the mask faces, forcing the reader to question the smiles and imagine the sad, troubled personalities that lie beneath.

The art and the aesthetic of this series reminds me of Chris Ware’s Acme Novelty Library, which happens to be one of the most honored and respected works in the realm of print comics. Not prepared to say that Birchall is operating on that level, but it is a very good webcomic, one of the best I’ve seen.  Nice to see as well that it has had 80 million page views and collected 1.3 million subscribers; a lot of people are being exposed to a finely-wrought and thought provoking webcomic.

Posted by joezabel

Ten Earth Shattering Blows

I met some folks from Spider Forest who had a table next to mine at the Bethesda Small Press Expo.  Nice people!  I took their card, and later on I checked out their website.  Of the numerous comics listed, Ten Earth Shattering Blows stood out, because of the nice artwork in the thumbnail, and also because of the crazy title.  Very glad I clicked on it!

This comic begins with an incredible 360-degree tour of a lusty, primitive outpost, part Mad Max, part Star Wars. It’s familiar territory for a fantasy comic, but the artist, Nuclearpasta, makes it fresh with meticulous detail, stunning two-page spreads, a sincere love for depicting giant lizards, and an ironic tone throughout the proceedings.

The two main characters both are wearing masks when they’re introduced, and the camera zooms in for closeups when each of them is unveiled— Landa, a bratty but bold young noblewoman, distinctively dressed in the latest interplanetary style.  And Joy, who is first introduced as “the monster”, being thrust into a cage match she easily wins. She escapes, and slays Landa’s protector with incredibly violent head butts. When her helmet is shattered, she is revealed as rough and unglamorous but nevertheless beautiful.

Joy abducts Landa and escapes the outpost in a furiously-paced sequence that leaves us gasping; and then the science fiction elements become even more mind-bending and weird.

Nuclearpasta’s art is a stunning combination of Moebius-style backgrounds with Kirbyesque action. The faces are expressive and perfectly carry the humorous tone.  The art pays a lot of attention to portraying motion, which goes a long way to bringing the action sequences to life.

The website itself is especially genial and engaging, with lots of extra artwork to enjoy, a links page to the artist’s favorite webcomics, and more.

As to that title, the what or how of these earth-shattering blows has yet to be explained– and why ten of them?  I can’t wait to find out!

Posted by joezabel

Lore Olympus

I’m kind of surprised that I’ve only heard of Lore Olympus a month or so ago; it’s the most popular series on Webtoons, with over 1 billion views and 6.1 million subscribers.  I happened to click on it when I started publishing on Webtoons and was looking for examples of style and technique.  What I discovered is one of the most significant works of comix I’ve seen in a long time.

Neil Gaiman and manga comics are probably a big influence on New Zealand artist Rachel Smythe, but she’s taken these influences in radical new directions.  Lore Olympus is described as a romance comic, but if so, it is a romance for grown ups, psychologically sophisticated and with a dark edge.

What excites me the most about Lore Olympus is the style.  Most comics, regardless of genre, proceed in the tradition of newsprint publication, where everything is defined by heavy black lines. In contrast, Smythe composes almost exclusively with brilliant color, and employs only a minimal amount of elegant linework to define selective details. Smythe’s compositions have a strong, confident sense of abstraction, but also hint at a skill depicting human anatomy, architecture and nature.

Her writing as well is minimal and effective.  Funny, fascinating and deep, it introduces us to a world that is mythical but very much like our own. In the opening scene, a brief cell phone conversation portraying the breakup between Hades and Minthe incisively depict her vanity and cruelty. Later, another conversation between Aphrodite and her son Eros suddenly lifts the narrative to a higher moral plain— “Mom, you seem to have such a distorted view of people these days.  When did you stop seeing the best in people?  When did you forget about kindness?  When did you forget about love?”

The weekly series is currently on episode 217.  I suggest reading episodes 1 to 6 to see if you get hooked. 

–Joe Zabel

Posted by joezabel in Reviews